| Thoughts
on "Hide and Shriek" and other topics from Alfalfa fan Quincy
Gaines
Over
the past few months, 4alfalfa.com has been corresponding regularly
with a gentleman named Quincy Gaines, who has been providing us
with some very thought-provoking comment, analysis, and reminiscences
about the Little Rascals in general and Alfalfa in particular. We
hope to share some of Quincy's thoughts in the near future but we
felt that none of his messages to us were more important and insightful
than his commentary on certain elements of the Alfalfa episode "Hide
and Shriek", and how they contain certain scenes and images
which could be perceived as ethnically insensitive. That not all
Alfalfa fans will agree with the entire scope of Quincy's analysis
is irrelevant; whether or not certain fans deem certain scenes offensive
is based on their own perception and experiences.

Quincy
Gaines
Since
4alfalfa.com will be rolling out the first phase of its "Censored"
section soon, we would like to present Quincy's thoughts on this
topic below, and invite other Alfalfa fans and observers to provide
us with similar serious analysis and commentary:
"The
Little Rascals" and Little Rascals characters © and TM
King World Productions, Inc. This website based in part upon a television
series distributed by King World Productions and Turner Entertainment
Company / MGM.
By
Quincy Gaines
Send
Quincy an email
I recently noticed another Little Rascals controversy related to
the topic of the much-discussed question of racial and ethnic insensitivities
within the series. It's unfortunately in my favorite episode "Hide
and Shriek." Alfalfa, Buckwheat, and Porky are scared and trying
to get out of the haunted house to which they are unwittingly delivered.
As Alfalfa points to the door upstairs through which they want to
go next, he says, "Buckwheat, try that door to see if we can
get out." Buckwheat is too scared to go, so Alfalfa, who claims
he isn't scared, takes Porky and tells Buckwheat, "Well we're
not [scared]! Come on, Porky. As Alfalfa proceeds with Porky up
the stairs and into the next dark room, he tells Buckwheat to "...keep
whistlin' so we know where you are."

Buckwheat
reacts to an uninvited
friend during "Hide and Shriek"
I
had no opinion of this scene until I played it for my mother, who
instantly was offended and identified Alfalfa's "You keep whistlin'
so we know where you are" line as a racist comment. In my opinion,
it was not intended to be offensive, because these are words that
were supposed to come from kids who said "the darndest things".
My mother's comment on Alfalfa's line: "What's the matter,
Alfalfa? Is Buckwheat so black you can't see him in the dark? Give
me a break! That's a stereotype! We learned about this in racism
class."
Incidentally,
my mother's comments were significant to me not only
because she was my mother: she took a course in racial tolerance
and identification a few years ago at a nearby college.
There
was an additional stereotype that offended her about this scene.
It is in the sequence where Alfalfa tells Buckwheat to go try the
next door why does Buckwheat have to whistle? I view
that as a racial stereotype! Not all black people love watermelon,
eat fried chicken, wear afros, or whistle. I can't whistle (this
has nothing to do with being black), and I don't have an afro (this
is because of my mixed genetic background). Not all black people
have afros, in any event.

Alfalfa,
Buckwheat, and Porky in their fake beards in
"Hide and Shriek". Note the color of Buckwheat's beard.
Whether
or not specific images such as these are offensive
depends on your point of view.
Also, why should Buckwheat do what Alfalfa commands him to do in
this scene? Why didn't they simply proceed to enter the next room
together? Why didn't Alfalfa just go try the door himself, especially
if he was "not scared?" During the era of slavery in the
nineteenth century, white men could literally "possess"
black people and they invariably sent the black man to do their
"dirty work", in the process bearing potential torture
on their behalf so that no one else would suffer. This was unfair.
Again, "Hide and Shriek" was filmed in a time of vaudeville
comedy, when racial equality didn't exist, when blacks could be
tortured, made fun of, or mocked in the name of "good humor".
In
my opinion, the racial problem contained in this film can be easily
overlooked unless the viewer examines it thoroughly, and thinks
about what has been seen. When I first saw "Hide and Shriek",
I did not react to these comments. I did not take offense until
my mother pointed it out. Being that neither yourself [4alfalfa.com]
nor Maltin and Bann [authors of "The Little Rascals: The Life
and Times of Our Gang"] have commented on this, I thought that
I'd point it out to you.
Is "Hide and Shriek" still my favorite Rascals film? Other
than the insensitive dialogue, and Buckwheat's stereotypical whistling,
it is. As Leonard Maltin points out in his Cabin Fever commentary,
only a handful of these films contain racial offenses, which were
thought to be acceptable forms of humor that reflected the times
and comedy of the 1930's. And regardless of the ignorant intent
of the show's writers, we must try and look past the offenses of
the films, seeing instead what Hal Roach intended for us to focus
on: kids being kids, saying and doing what kids normally do (sometimes
ignorantly).

One of the most controversial scenes in the entire Little Rascals
series, from "Three Smart Boys". As part of a get-out-of-school
scheme, Alfalfa, Spanky, and Buckwheat apply fake measles to
their faces. As in "Hide and Shriek", Buckwheat's facial
disguise
is white to contrast with his black skin; Alfalfa and Spanky's
faux measles are the correct, darker color. Even more offensive
to many viewers is the scene later where Alfalfa and Spanky
think Buckwheat has been changed into a monkey (pictured).
I
used to work for an amusement park at a ride that was as dark as
the Haunted House should've been. I was a ride operator for the
E.T. Adventure at Universal Studios Hollywood. We call what Alfalfa
and the two kids did a "serious safety violation", but
then again, back in 1938 no one thought about that yet. It's amazing
how the power switch Alfalfa turned on suddenly is covered up by
the doors that suddenly appear. When the voice on the recording
says "Choose!," the doors appear, and the one on Alfalfa's
left-hand side swings open as it flies into view. In reality, being
that it was "so dark and scary" in the haunted house,
Alfalfa would have had to go to the hospital for stitches if he
were any closer to that flying door! In the second room with the
organ, since they "can't see too well in the dark," One
would think that they would've tripped over the organ bench.

* * * *
I'm
hoping that my comments encourage people to see these films for
themselves. People should arrive at their own conclusions, while
understanding the cultural era and times this series was produced.
They should let themselves embrace its original content somewhat
unconditionally; focusing on the lighthearted feel and uniqueness
these comedies are known for, because the good far outweighs the
bad.
The negative aspect of the series should be identified, but we must
remember that we can't change our past. We should remember the tough
times we've gone through, so that we can better appreciate and be
grateful for the changes that have come for today, while working
to make better achievements tomorrow.
Essay
text ©Quincy Gaines, 2003
Note from 4alfalfa.com: Not too long ago, we included as our image
of the day a video still of Alfalfa in "The Pinch Singer",
appearing in blackface as a means of disguising himself during the
gang's auditions to appear in an amateur talent contest. Quincy
let us now loud and clear that he didn't think the image deserved
its place of prominence on our home page:
"Tom
today's "image of the day" on your site .... I'm sorry,
but it has to go! It should go .... in the "Pinch Singer"
Alfalfa was quickly dismissed, because the kids didn't like his
drag costume and especially his black face performance. On your
site, it'll be there for a full day, and the way you have it displayed
like that will horribly offend people."
What do you think about this topic?
Let us know your thoughts.
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"The
Little Rascals" and Little Rascals characters © and TM King
World Productions, Inc. This website based in part upon a television
series distributed by King World Productions and Turner Entertainment
Company / MGM.
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